© 2018  Eliane Lima

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Asian Cinema is a comprehensive course consisting of screenings and discussions, and focusing on the temporal aspect of the history of this particular cinema to detail its aesthetics.

Line up:

  1) KUROSAWA - THE IDIOT (1951)
  2) MIZOGUCHI - UGETSU (1953)
  3) OZU - TOKYO STORY (1953)
  4) SEIJUN SUZUKI - TOKYO DRIFTER (1966)
  5) NAGISA OSHIMA - MERRY CHRISTMAS MR. LAWRENCE (1983)

  6) EDWARD YANG - A BRIGHTER SUMMER DAY (1991)
  7) HOU HSIAO-HSIEN - GOODBYE SOUTH, GOODBYE (1996)

  8) LOU YE - SPRING FEVER (2000)

  9) Wong KAR-WAI - IN THE MOOD FOR LOVE (2000)

10) JIA ZHANGKE - UNKNOWN PLEASURES (2002)
11) PARK CHAN-WOOK - OLD BOY (2003)
12) TSAI MING-LIANG - I DON'T WANT TO SLEEP ALONE (2006)

13) APICHATPONG WEERASETHAKUL -  UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (2010)

14) PEMA TSEDEN - OLD DOG (2011)
15) ANN HUI - A SIMPLE LIFE (2011)

16) LAV DIAZ - NORTE THE END OF HISTORY (2013)

Recommended Texts:

- Deleuze, Gilles. Cinema 1 the movement image. Minneapolis: University of Minnesota, 1986.

- Deleuze, Gilles. Cinema 2 the time image. Minneapolis: University of Minnesota, 1989.